Firecrest Cine Superslim 4x5.65 Clear Supermist

Density: 1/8
Sale price£176.89  Inc VAT £147.41  Exc VAT


Formatt Hitech launched the Firecrest Cine Superslim IRND filters, bringing the lightest and thinnest 4x5.65" cinema filters on the market. These revolutionary products could be used in a custom frame with existing ARRILMB standard Matte Boxes and by themselves in clip Matte Boxes such as the Bright Tangerine Misfit Kick or even the Small Rig compact Matte Box, a photographic filter holder.

The product quickly became the go-to filter for rental houses and individuals and became Formatt Hitech’s fastest-selling new product.

Following this success, Formatt Hitech has introduced a range of industry favourite Supermist Filters and added more creative options for filmmakers. In addition, the thin size means that a diffusion filter and an IRND can be stacked in the same frame, saving space and removing ghosting when traditionally stacking filters.

Firecrest Cine Superslim is the most affordable system for filmmakers using format Hitech. Despite this, every filter is handcrafted in the UK using the highest quality Schott b270i optical glass and undergoes our unique bonding, lapping and polishing techniques giving extreme resolution and unrivalled protection to your filters.

The 2mm thickness saves you roughly 50% weight over a traditional 4mm filter which is ideal for use on Drone, Gimbals and other weight-restricted applications.

Available in densities 1/8th, 1/4

About Diffusion

‘On-Camera’ diffusion is a wonderful tool for removing the ‘digital’ look of modern-day cameras. A mild diffusion filter is very often the choice of Cinematographers because it flatters the skin tones of actors. Formatt Hitech having been making a range of diffusion filters for the last two decades.

They have a significant advantage over using vintage optics in that they can be reliably repeated across cameras and lenses. They are also more versatile with modern lenses and the effect can be added instantly, but also removed, giving a filmmaker more flexibility. The wide range of density also allows for a Cinematographer to dial in just the right amount of effect on set.

While it is true many effects can be added in post-processing, this is a slower and often costly exercise. With a filter, you are getting instant onset feedback giving the Director and the Cinematographer the ability to bake the effect into the image. Optical filters also interact with what is actually there, without the need to do complex grades and use tracking nodes, they give an instant representation of the lights within a space and interact with them in an organic analogue way.

There are generally four types of diffusion filters:

  • Creating romantic moods or period drama images by reducing picture contrast in the lowering of the whites.
  • Increasing the levels of black exposure by using low contrast or black fog filters.
  • Complexion or image softening filters by altering the resolution to mask blemishes, wrinkles or skin imperfections.
  • Refractive filter that affects mostly the highlights creating halation.

Firecrest 2mm Superslim from Formatt-Hitech on Vimeo.

Brand new light weight filters buy Formatt Hitech. Ideal for gimbal and drone use. When stacked together they can improve ghosting and optical performance compared to 4mm filters.

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A bigger polariser giving you a wider view

With recent developments in optical design, it has become more common for lenses to have larger threads. To accommodate these advancements we have expanded our CPL (circular polarising filter) to 86mm. This means wider compatibility and better performance on a range of new wide-angle lenses. It also makes it compatible with a range of cinema lenses such as the Tokina 11-20MM T2.9.

The polariser can be fitted into either included rotating ring adapter, and becomes an integral part of the holder. The polariser is operated with an easy to use thumbscrew. This allows you to set your grads and then dial in the exact

polarising effect you want. Due to its free movement, this means you can leave the polarising filter (CPL) attached at all times and simply turn off the effect if not wanted. The construction of the filter also means you can use the CPL filter as an independent filter without the need of the holder.

More step rings, more flexibility.

For improved performance on an even wider range of lenses, the holder now ships with two rotating adapters as standard. These adapters allow the lens to sit closer to the filters helping with wide-angle photography. The kit

includes an 86mm - 86mm rotating adapter and a 86mm - 82mm adapter. For best performance on 77mm and smaller wide-angle lenses, it is recommended to use the included step rings from the 86-86mm rotating adapter.

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